![]() ![]() Chapter 5 - Meyerhold's Revolution in Theatre Introduction i.Chapter 4 - The Actor, Author and Hero I and other become Author and Hero Being, Playing and Imaging Creating the Image of the Character Who Authors the Character - Writer, Director or Actor? Stanislavsky, the Playwright and the Play Working with the Play Script The Director The 'Double Life' in Bakhtin and Stanislavsky's Theory Conclusion: Image and Human Being.Chapter 3 - Psychophysical Acting Introduction Bakhtin's Body Face to Face I and other in Space To Know the Body, To Value the Body The Value of the Human Body in History Stanislavsky's Resistant Body Internal and External Images Bakhtin, Stanislavsky and Psychology Creativity and the subconscious.Carnival and Theatre vii Last Thoughts and Reflections Bakhtin and Theatre - Some Conclusions Part II Introduction to Part II Texts and Contexts Bakhtin and Stanislavsky as Thinkers Concepts in Bakhtin's Early Philosophy Phenomenology, Event Act and Action Answerability I and Other Chapter 2 - Time and Space in Novel and Theatre Acting from the Centre Experiencing not Thinking Given and Created Given Circumstances Value, Sense, Meaning Acts and Tasks Time and Timing in Performance Theatrical Space Conclusion ![]() Dostoevsky iv Dialogue in the Novel and in Theatre v Time, Space and the Chronotope in the Novel and in Theatre vi. Preface Introduction Methodology: questions, double-faced images and dialogue Themes: Time and Space, Body and Image Character and Author, Body and Image Realism and Revolution Art and Life How This Book Works Part I Chapter 1 -Bakhtin and Theatre Introduction i.Bibliography Includes bibliographical references (pages 240-244) and index. ![]()
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